The one exception being the Fifth Courante which sounded as though it might trip up due to combination of pace and ornamentation. I rather enjoyed this particularly as it did not get in the way of the rhythmicity and momentum of the playing. Ornamentation.Īnother feature worth noting was the use of ornamentation. Namely the Fifth Sarabande and the Sixth Allemende. There are moments of repose and reflection which add to the dynamic feel.
#Bach cello suites original manuscript full
Although it is no doubt fanciful, the image that comes to mind is of a Medieval knight going into battle in full armour cutting and thrusting as he cuts through swathes of foot troopers. Make no mistake these are enthralling performances with tremendous vitality and excitement. The second characteristic was the very rhythmic and dynamic style of playing. The first thing I noticed about the interpretation was not entirely positive, and that was a striking tendency to emphasise key notes in every phrase. There is very little vibrato, noticeable in the Sarabande of the Fifth Suite.
The cello has an ever so slightly coarse sound which hints at this being an authentic baroque style performance, but the dynamics, suggest a modern set up underlined by standard tuning. There is not too much extraneous noise from the performer. The sound quality of the recording is excellent with firstly, a good balance of expansive sound, and secondly, detail of tonality. This sounds discordant and strikes me as if it were a wrong note! (I am absolutely sure it is not). The exception- and I emphasise the subjective nature of this-being a different note, two bars before the ending of the sixth suite Gigue. The use of this manuscript makes itself evident in more ornamentation and some pleasing but noticeable notation differences. More details are provided within the excellent booklet. Rummel believes this is the closest to the missing original manuscript by Bach himself. This performance by Martin Rummel brings to the table the first recording of the Suites following the Kellner manuscript. This recording exemplifies the reason why I am inspired to keep probing and investigating the many recordings of the Suites. No other information about instruments used other than promotion of Thomastik Infeld strings. Labelled as the first recording of the Johann Peter Kellner manuscript. Presented in a sophisticated hardcover book format, this edition is destined to be cherished for years to come, inviting you to savor the melodies and stories that have stood the test of time.Martin Rummel. With utmost care, we have meticulously restored this document to its pristine, original state, breathing life into every note and nuance. Revered as one of the most authoritative sources of the Cello Suites, this manuscript encapsulates the heart and soul of Bach's artistic prowess.Ĭontained within its covers are all six transcendent Cello Suites, elegantly sprawled across a total of 40 captivating pages.
Immerse yourself in the authentic essence of this timeless composition through the meticulously preserved manuscript penned by Anna Magdalena Bach, the illustrious second wife of J.S.
An impeccable gift choice, it transports recipients to the very origins of this enchanting musical journey. Introducing the exquisite hardcover edition of our renowned Cello Suites manuscript, a true masterpiece that resonates with both cellists and devoted admirers of J.S.
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